Monthly archive September, 2011

the thing around your neck

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No, I’m not talking about Ms. Adichie’s short story collection {although I do recommend it if you’re interested in the immigrant experience, especially if you’re not an immigrant, or Nigeria, or just good writing}. I’m talking about the thing around my neck, this whimsical necklace made of marbles. Anthropologie sells them in pairs but I thought the more marbles, the more playful. So I heaped on four. They are not diamonds but they do catch the light in a pretty way.
In other news, I’ve just discovered Levi’s. Obviously I don’t mean this in the revisionist Christopher Columbus style or “It really began to have significance when I found it.” They have been around since the 1870s. But, I never bought a pair until this week. I almost went arthritic measuring myself following their directions, which called for bending until you find your natural waist. It was not immediately clear to me which way I should bend to find my “seat measurement.” FYI: Just measure the circumference of the widest part of your hip. However, the pants are worth it. They fit just as promised.

A lifetime practice of frugality makes me apt to wear all my clothes to shreds so I am happy to hear that Levi denims are in the seat (pun intended) for the long haul.

Clothing & Accessories: Levi jeans, Anthropologie denim shirt/necklace,Camper shoes, thrifted bag via Buffalo Exchange Brooklyn 

Who makes your favorite pairs of jeans? 

innovAction or bill cunningham

A lot people have taste but they don’t have the courage to be creative – Bill Cunningham

Waching the documentary Bill Cunningham New York reminded me how important it is to be authentic – in whatever I do.

Cunningham is an InnovActor, someone who is authentic and action-oriented.  As a photographer for the New York Times Style Section, he photographs trends on the street from a democratic perspective. His work is not prescriptive, it is descriptive. He sees something and then he stays alert to see if it reappears and builds into a trend. Anna Wintour of American Vogue says “we all dress for Bill” and that if he ignores you “it’s like death.” I don’t think Bill thinks of his work in such dour terms. He is a cheerful octogenarian who rides his bike around town taking pictures of cool-looking “kids.”  He is old enough to get away with calling just about anybody a kid.

A lot of people have  great ideas like Mr. Cunningham did. But, unlike him, we don’t always have the courage to follow-through on them. I watched the documentary  with so much glee  because I felt emboldened by his passion. He recognizes that he is not a technically great photographer but he knows that he has something to contribute, a fresh perspective and he devotes himself completely to that vision. He does not tug at his weaknesses, he embraces his strengths.

Cunningham started taking photos before he had enough money for color printing but he took them because he was committed and put his vision into action. He did it awkwardly in black and white and then explosively in color, when the resources became available.

Cunningham’s work chronicles how ordinary people adapt the designers’ creations. I like that he is not interested in denigrating people or making anyone feel privileged.  He once stopped working for a publication because they had changed one of his copies to make fun of the people he shot on the street. His is a democratic vision of fashion. Fashion is the way we make every day life lighter, brighter.

To be honest and straight in New York is like Don Quixote fighting windmills. - Bill Cunningham

This man is as principled in his work as he is in his life.“Money is Cheap. Freedom is expensive,” is the statement most emblematic of his character. He worked for the original Details Magazine (before it was bought by Conde Nast) and he never took money because as he said “I worked for the establishment {New York Times} during the day and when I got here {Details Magazine} it was like a bird getting out of a cage.” If you don’t talk money, they don’t own you, you can do whatever you like, he says.

His contempt for money led colleagues to think that he came from a privileged family and that he was assiduously staking out a place free of the trappings of the golden cage that such upbringing means for some. But he confesses that he came from working class people. He’s just a guy who loves life, beauty, and his freedom.

He’s over 80 years old and he’s the coolest dude on a bike in New York City!

racism, beauty and the beast inside

“All instincts that do not discharge themselves outwardly turn inward…The instinct for freedom abrogated, he develops bad conscience. When all his other desires are blocked, the only one left to pay the debt is himself. So he pays it with himself with the only power left to him. He tortures himself and enjoys it.” – Nietzsche

The mark of a universal work is that it is so personal everyone can’t help but identify with it. It feels like a heart-to-heart. This is the reason why some folks shared and avidly read Live Journal. That same feeling is, to some extent, responsible for the rise of Reality Television. It does not matter what language you speak or whether you tan or burn, this book will resonate with you.

Toni Morrison’s The Bluest Eye was published in 1975. As the author writes in the afterward of the 1993 edition, the novel is the unveiling of a personal secret: the self hatred of blacks, especially black women.

A simple plot. The book follows the misadventures of a girl called Pecola in 1941. This is before Nina Simone sang Young, Gifted and Black. Before the 1970s and young hipsters wearing T-shirts that said “Black is Beautiful.” This is the unpropitious year that WWII started. 1941.

Pecola, whose ironic last name is Breedlove, feels ugly and unloved. The ideal of beauty in magazines and films is white, thin, and perfectly groomed. Pecola notices the way light-skinned Black children are treated with favoritism at school. Even the cheap dolls her friends receive at Christmas mock her. They are perfect porcelain white faces with bright blue eyes. Pecola conflates her luckless life – poverty, beatings, shyness- with ugliness. Like any abused soul she turns on herself. Her wish to have blue eyes leads her to a mystic who tells her God will grant her wish. Of course, unable to bear the strain of reality anymore, Pecola believes him. She believes she has blue eyes.

What?  What we will talk about?
Why, your eyes.
Oh, yes, My eyes.  My blue eyes.  Let me look again.
See how pretty they are.
Yes, They get prettier each time I look at them. …
Prettier than the sky?
Oh, yes. Much prettier than the sky.
Prettier than Alice-and-Jerry Storybook eyes?
Oh, yes. Much prettier than Alice-and-Jerry Storybook eyes...
- Pecola and her friend Claudia

Internalized racism is an acute form of the common place self-loathing. Self-hatred is like a virus. Once inside the cell it is a hundred times more powerful than anything outside because it hijacks the cell’s structures to reproduce. Once the contempt Pecola sees in others’ eyes creeps into her, she becomes powerless. She no longer needs them to tell her she’s ugly because now she believes it.

The Bluest Eye  is not about officially sanctioned racism. To that you can point and say “hey, you’re breaking the law by not letting that kid into the school.”  The The Bluest Eye anticipates the lingering stench of the subtle hatred that is rooted in small gestures and traditions, the kind that’s hardest to point  out and therefore the most pervasive. In the campaign for civil rights, winning the mind is easier than winning the heart. It’s easy to follow the law because jail is a decent deterrent for most people. It’s difficult to get people to appreciate the content of the law and that’s why this kind of book is important. It gives us an opportunity to engage with experiences and people who are not from our homes but whose lives we affect with our actions.

This book is gritty, it’s dark but it’s worth the effort because we have to be conscious of the world. Because the world is the consequent of our actions. Because the way we live is our contribution to the well-being of the world.

This book also reminded me how important it is to embrace different, to celebrate my unique features, to respect my neighbor’s uncommon heritage, to take conscious actions because what I do matters.

 What you do matters, too! Is there a book or experience that has changed the way you look at the world/ other people? Tell us about it in the Comments! 

Photo via Silver Foxes

letting loose

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My happy face when I got home. When I was younger I used to think that I would enjoy the orderly world of straight jackets (pun intended) but I find myself really craving looseness and flexibility, which is what I got from this outfit. We are in faux Fall weather. It looks dreary and cold but it’s actually hot and humid. These new legs from Forever 21 are the perfect “wear with all” item.  I say legs because they are skinnies and look like they were pasted on. They can go down under a short dress, or travel up to business casual when paired with a jacket. I don’t wear a ton of jewelry. Scarves are my jewels. I adore being comfortable so I always carry a scarf for those buildings that seem that set the air temperature to make former residents of the Yukon feel at home. I also enjoy the pampering. It’s like a portable hug in silk. This scarf is from Istanbul, Turkey. Beautiful place, beautiful culture, exquisite textiles. The glasses are my latest purchase from Anthropologie. I enjoy the fact that they look soft and cutesy when the hair towards upward in a bun but they look fierce and sexy when I let the locks loose.

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Clothing & Accessories : Kurios Shirt, Zara Sandals, Forever 21 jeans, H&M jacket, Anthropologie glasses, thrifted Buffalo Exchange Brooklyn Bag, Scarf from Istanbul Bazar,  Hair courtesy of Mom & Pops
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